Nothing New On The Western Front

Earlier this morning the CMA revealed the nominees for the 50th CMA Awards Show. Eric Church, Maren Morris and Chris Stapleton lead the pack of the nominees with five nominations each. The biggest losers for being stubbed are Sturgill Simpson with a #1 album, Jon Pardi and critic favorite Brandy Clark.

“I am very excited about this year’s list of nominees. We have artists who received their first CMA Awards nominations decades ago alongside first-timers; we have critically-acclaimed songwriters and artists who have reset the bar for Country Music. This is going to be an exciting year in addition to celebrating the 50th Anniversary of the CMA Awards.”

It may be exciting for the CEO of the CMA , Sarah Trahern but will not offer country music fans anything new. The 50th anniversary celebration will go down in the books as catering to the radio and label interests. But in general, there is not one nomination to be really excited about, not one!

Here's the list of the 2016 CMA Awards Nominees
* depicts who probably will win / amu my choice)

Entertainer of the Year
Garth Brooks
Luke Bryan
Chris Stapleton (amu)
Carrie Underwood (*)
Keith Urban

It's Carrie's first nomination in the Entertainer category and with the country music pie lacking a nice slice of female artists, I predict that Carrie will take this trophy home. I actually think the whole award show could revolve around her, she has been ignored for too long and she will again be hosting with Brad Paisley (for the ninth time).


Male Vocalist of the Year
Dierks Bentley
Eric Church (amu)
Tim McGraw
Chris Stapleton (*)
Keith Urban

Dierks & Keith released some of their worst albums of their respective careers, McGraw is a solid bet, but I think Stapleton can double down after last year's award. Personally I think Eric Church should be rewarded for "MR. MISUNDERSTOOD" and his own independant tour.

Female Vocalist of the Year
Kelsea Ballerini
Miranda Lambert (*)
Maren Morris
Kacey Musgraves (amu)
Carrie Underwood

Maybe with the Entertainer of the Year, Carrie may be able to snag the Female Vocalist Award as well - it would be a nice surprise as her first win dates 11 years back. But she will have stiff competition in Miranda Lambert, who won the last six times and probably will win again. I'm not sure the CMA is really ready for Kacey Musgraves, even though honoring her independency would look really good to the outside world of Nashville. Ballerini and Morris (even though nominated five times) are nothing but cannon fodder. Kelsea Ballerini simply can not sing, and Morris has only one good song "My Church" - the rest on "HERO' is all filler material.

Album of the Year
Black, Dierks Bentley
Hero, Maren Morris
Mr. Misunderstood, Eric Church (amu)
Ripcord, Keith Urban
Storyteller, Carrie Underwood (*)

I really think it could be Underwood's year - without a lot of bad headlines - she has built a solid career and "STORYTELLER" was an ok album. On the other hand "BLACK," "HERO" and "RIPCORD" are terrible albums with awful songs, excluding Morris's hit.

Single of the Year
"Die A Happy Man", Thomas Rhett
"Humble and Kind", Tim McGraw
"My Church", Maren Morris (*/amu)
"Nobody To Blame", Chris Stapleton
"Record Year", Eric Church

I hope either "Church" wins, Morris's song is the exception that proves the rule, yes you can actually have a bad album, but there is one gem of a song on it; "My Church" is that song and it fits the category perfectly as it was a huge hit, a breakout single and a song we will talk about in a decade from now. I think the biggest challenge will be to win against the Lori McKenna penned "Humble and Kind" sung by Tim McGraw. "Die A Happy Man" is the weakest of the five and should in my opinion not been nominated as a single of the year.

Song of the Year - this goes to the songwriters
"Burning House", Cam - Cam, Jeff Bhasker, Tyler Johnson (amu)
"Die A Happy Man", Thomas Rhett - Thomas Rhett, Sean Douglas, Joe Spargur
"Humble and Kind", Tim McGraw -  Lori McKenna (*)
"My Church", Maren Morris - Maren Morris, busbee
"Record Year", Eric Church -  Eric Church, Jeff Hyde

I love Cam's song, this is a career song and it should win her a trophy. I think Lori McKenna and Maren Morris & busbee may either other cancel out. But yes with all the press McKenna recently received for her new album, she may swing to the top.

Vocal Group of the Year
Lady Antebellum
Little Big Town (*)
Old Dominion
Rascal Flatts
Zac Brown Band

I did not leave my favorite here, there is none. It's all crap. Zac Brown Band used to make really good music but since then have gone to Nashville hell and back. That category is one part why we don't listen to country music radio anymore.

Vocal Duo of the Year
Brothers Osborne
Dan + Shay
Florida Georgia Line
Joey + Rory (*/amu)
Maddie & Tae

There is no competition here, with the passing of Joey Martin Feek on March 4 of this year, and having been snubbed twice before, the CMA will honor the former duo posthumously and they should. Great way to ignore FGL and hoping that they will be digging carrots by next year.

New Artist of the Year
Kelsea Ballerini
Brothers Osborne (amu)
Maren Morris (*)
Old Dominion
Cole Swindell

Where is Pardi, Simpson, Clark and the Kelsey, that can actually sing, Kelsey Waldon - also missing here is William Michael Morgan a true country artist in the vein of a George Strait. I only care about Brothers Osborne who currently start to stir the pot up with "21 Summer" a song that is half way decent. (And please somebody sends Ballerini to Never, Never Land where she belongs.)

Musical Event of the Year
"Different For Girls", Dierks Bentley/Elle King
"Home Alone Tonight", Luke Bryan/Karen Fairchild
"The Fighter", Keith Urban/Carrie Underwood (*)
"Think of You", Chris Young/Cassadee Pope
"You Are My Sunshine", Chris Stapleton/Morgane Stapleton (amu)

Whatever! The crap list goes one - "You Are My Sunshine" is the only thing I can listen too, without my ears actually going on strike; and they are not even unionized.

Music Video of the Year
"Burning House", Cam
"Fire Away", Chris Stapleton
"Humble and Kind", Tim McGraw
"Record Year", Eric Church
"Somewhere On A Beach", Dierks Bentley (*)

Video is a video is a video and creativity is limited. I mean how many freaking ways are there to put something around a song. Let's be honest, how many country videos can you remember because it was exceptionally filmed or had a nice storyline to it or something special - like the appearance of Hank with Hank Jr. in 1989's "There's A Tear In My Beer" or Johnny Cash beautifully portraying and making the Trent Raznor song "Hurt" his own, right before he passed away.

Musician of the Year
Jerry Douglas (*)
Paul Franklin
Dan Huff
Brett Mason
Derek Wells

They all deserve an award!

Hosted by Brad Paisley and Carrie Underwood, the 2016 CMA Awards will air live from the Bridgestone Arena in Nashville on Wednesday, Nov. 2 2016 in a three hour broadcast starting at 7pm (CST) on ABC.

Sources: cmaworld.com

Miranda Lambert Receives 1st ACM Merle Haggard Spirit Award

Miranda Lambert is riding high, her current single "Vice" just entered the Top Twenty Country Airplay Charts (Billboard & Mediabase), already hit the #1 spot as a bestseller (Country Digital Song) and her official Vevo/YouTube video has racked up more than 4 Million views. To top all this, the Academy of Country Music (ACM) announced today that Miranda Lambert will be the first recipient of the newly created "Merle Haggard Spirit Award."

In the run-up since the announcement of the award and the naming of the winner a week later, a shitstorm went through Social Media, everybody plus their cousin asking who is really fit in deserving this prestigious award. The latest being Sturgill Simpson earlier this morning - before the ACM announced Lambert - going on an extensive rant. Besides attacking the ACM for leaving a bad taste in your mouth by creating this award he also went into a full broadside against "Garden & Gun" magazine.

Sturgill hit the nail on top, a quick brainstorm actually did not bring immediately an artist to my mind. Maybe Randy Travis for his seminal role in the country music revolution of 1986. None of the young (and some older) whippersnappers come even close to deserve that honor.
And yes he is right about the sell-out of both organisations, the Nashville-based CMA and the West Coast-based ACM, even though the latter deserves a couple of kudos for being more honest; especially in the earlier years.

"If the ACM wants to actually celebrate the legacy and music of Merle Haggard, they should drop all the formulaic cannon fodder bullshit they've been pumping down rural America's throat for the last 30 years along with all the high school pageantry, meat parade award show bullshit and start dedicating their programs to more actual Country Music."

I can't say anything against this, he's dead on. I quit being a member of the CMA when Garth Brooks started screwing the whole industry up and left in protest. (or am I missing something?) Sturgill Simpson's attack against "Garden & Gun" magazine is understandable, it basically shows an editor-in-chief with no backbone.
Here's the timeline - May '15 Chris Stapleton releases "Traveller" - photoshoot of Merle Haggard & Sturgill is in October. In November Chris wins big at the CMA awards and it looks like he will win big at the ACM Awards on 4/3/16 as well. Sturgill's album is not out till 4/15 and nobody in February/March knows what that album is going to hold up to. So the douchebag editor chooses to go with a secure hand (Stapleton), instead of raising the odds (Sturgill & Merle). Not only would they have had the artist with the #1 album at the time the magazine came out, but they also would have had Merle who died on his birthday 4/6 on the cover. The editor just didn't play right.

So how does the ACM define the new Merle Haggard Spirit Award?

If the ACM lives up to this credo and honors only artists with "uncompromising integrity" AND have a "singular vision in carving an indelible path" we're gonna run out of awardees pretty soon if they don't start giving this award posthumously.
So did Miranda deserve it, in my honest opinion yes. And here is my reasoning, she wrote most of her own hits, from the first song "Me And Charlie Talkin'" to the current single "Vice" entering the charts. And yes she created some iconic songs "Gunpowder & Lead", "Kerosene" or "Crazy Ex-Girlfriend" doing that. Her having a side project with Ashley Monroe and Angaleena Presley as Pistol Annie's gives her some more cogency. And by standing tall and basically being the only "country" female artist still being played on the radio, she does leave a lasting mark. And yes she and Merle did have an understanding, she actually presented him with the last award he received from the ACM.



But I'm quite open to discussion - leave a comment and also mention who may deserve next year's award.

Sturgill came back later in the afternoon and had to clarify some points, one making clear, that he posted his rant before the announcement of Miranda being the winner. He also wrote:

" I know that Merle liked and respected her so it's good to see there is at least some blue sky in all of this. I don't know Miranda nor have I ever met her but something tells me that in her heart, she knows I'm dead on."

Probably true too - he then continues with his rant against Nashville and the current forces that rule. Even though being considered for a CMA award this fall, he already announced that he will not attend the festivities, not out of a mean spirit, but he has a sold-out concert scheduled that night. He also denounces the factitiousness of the whole establishment about:

"claiming to uphold and hold dear the original values and integrity of Country music's legacy. Yet these are just hollow words...merely empty semantics. One needs only to look glancingly at the majority of the music that they, along with the CMA's, predominantly choose to recognize and promote at their award shows."

He concludes with a love epithet towards the city on the banks of the Cumberland and promises to move away. I'm sure Austin would embrace him with open arms.

The awards show is tomorrow (8/30) night at the Ryman Auditorium in Nashville and will be televised in a TV special on CBS September 9th at 8pm CDT. Below is Miranda with the Merle Haggard cover "The Bottle Let Me Down."




Sources: Billboard.com, acmcountry.com, mirandalambert.com, Sturgill Simpson facebook,

John Prine & Sturgill Simpson - Live tonight!

An "Up Close & Personal" exclusive program session by John Prine and Sturgill Simpson can be watched by livestream tonight (June, 21st, 9.30pm CST) on Grammy Pro's facebook page, according to a press release from the Grammy organisation and Prine.

"The artists will dive deep into their creative process, especially as it relates to songwriting, during an intimate conversation moderated by singer/songwriter and music journalist Paul Zollo."



The session will be followed by a special performance by John Prine and is part of "Grammy Pro Songwriter Week" which is happening this week (June 20 - June 24) at the Grammy museum in Los Angeles. The show at the museum is sold out but is available through the livestream app which is connected to the Grammy Pro page.

Prine, who won two Grammys - one in 1991 for "The Missing Years" as "Best Contemporary Folk Album" and in the same category 14 years later for "Fair & Square" which besides mostly originals also had Prine's version of Blaze Foley's "Clay Pigeons" on it. Simpson, who is riding high on his current "A Sailor's Guide To Earth" was Grammy nominated for his previous, 2014 released "Metamodern Sounds In Country Music" as best Americana album.

Watch both artists below: John Prine together with Jim James from the band My Morning Jacket with "All The Best" on David Letterman's Late Show and Sturgill Simpson with a live version of "Turtles All The Way Down" recorded at the famous Grand Ole Opry.





Sources: Grammy Pro, John Prine, YouTube, Grand Ole Opry

Sturgill Simpson & Stephen Colbert - Unofficial "Waffle House" Etiquette Song

It took me 25 years of living in the States to finally make it to a Waffle House on a recent trip (March) to Atlanta. I was simply ignorant and unaware, as there are only two in all of Central Texas and Mexican breakfast and/or Tacos are everywhere and cheap.

So on Monday night, country artist Sturgill Simpson, who just released "A Sailor's Guide to Earth" some days ago, visited the "Late Show with Stephen Colbert," to perform a raucous swamp-rock, including full horn-section version of "Brace For Impact (Live a Little)."

Yet before Simpson was able to literally blow us away, he was invited and asked by host Stephen Colbert to do a "commercial" for "Waffle House." As Stephen mentioned, "Waffle House" has it's own songs on its jukeboxes, well according to slate.com, "the all-day breakfast chain that has become a Southern institution, actually has its own music label, which has produced songs such as “There Are Raisins in My Toast” for its restaurants since the mid-’80s."
As the tables were almost turned over faster than we could eat, I was never able to check out their own jukeboxes and am simply wondering what would rhyme with sausage and hash-browns.
Stephen and Sturgill's take on the unofficial song is hilarious and quite right deals with a lot of good manners missing of the late night crowds I have seen in IHOPs and other early morning breakfast places. Yes it may as Sturgill sings "You're killin' your hangover, but you're killin' my mood."

Next time I'm gonna go to a Waffle House, I'm gonna search for the jukebox. Watch the two performances below and comeback here, I will review "A Sailor's Guide To Earth" in a couple of days.