Rolling Stone's 100 Greatest Country Artists Of All Time - Do You Agree?

Greatest Artist compilation lists had, have and will always stir up controversy. Nothing is as sacred as your own favorite singer and when he/she doesn't make the list or is ranked in the nose-bleed section, fans feel betrayed. Part of it has to do with a social feeling of suddenly being marginalized by listening to an artist that did not make the A-List. Such compilations also always come up with omissions or inclusions that shouldn't be listed. And the new list by music publication Rolling Stone magazine listing the "100 Greatest Country Artists of All Time" does exactly what I just tried to explain.

RS asked 14 journalists to come up with the ultimate artist list, that defines country music. Well, a list like this doesn't just contain artists from last year or even the last decade. Country Music has a rich history, where the "commercial" origins of it, started 90 years ago with the so-called "Bristol Sessions" in Tennessee. Ralph Peer representing Victor Talking Machines recorded 76 songs by 19 performers during the 12 days he stayed in Bristol. Not only did the recordings introduce the traditional music of southern Appalachia, but they also generated the first two superstars, The Carter Family & the yodelln' brakeman Jimmie Rodgers of what later would be called country music. Western Swing with its probably most famous fiddler, Bob Wills followed roughly a decade later. Hollywood cowboys sang in movies and after starting in 1925, the Saturday night portion of the Grand Ole Opry became nationwide when it was picked up by NBC in 1939.

The war years and their aftermath (socially, economically) not only changed society but music as well. Suddenly songs about drinkin', cheatin' and havin' a good time were as popular as the old story songs and gospel music from before the war. A secularization of the themes started to appear, women entered the workforce and wanted to be looked upon as equal to their partners. New instruments and sounds appeared. Several sub-styles started to disappear like the cowboys in the prairies, Western Swing and other forms led to rockabilly and Rock'n'Roll. People started to go out to clubs and Honky Tonks to either drown their sorrow or to find a new honey just to dance with. The West Coast had its own California or better Bakersfield sound, that was rawer than what the by now slicker styles out of Nashville were offering. A whole outlaw movement came in the 70s when artists were fighting to keep creative control on what they want to record and want to be released to the public. With smoother Soul, R&B and Pop influences, country music was pronounced dead in the mid-80s by the New York Times only to be shook up a year later with the arrival of new traditionalist movement, trying to take country music back or at least incorporate some of its roots. New marketing ideas led country music from the clubs and dancehalls into arenas and stadiums, simple performing shows now became "circus" events for the masses. And sure enough by the end of the century, the music started changing again, less and less of what is considered having its roots in one of the many styles country music went through were abandoned. Today's major artists with a few exceptions offer a non-distinguishable contemporary sound with modern R&B, Hip Hop and EDM influences.

So what I tried to put into two paragraph synopses encompasses the whole history of country music - and I'm sure I may have omitted some sub-genres, the 14 compilers had to go through. Basically a rich 90-year-old history of what defines American music and to come up with just 100 of the Greatest Country Artists of All Time. So before you start complaining that Bobby Lee or Bobbie Lou are missing, unfairly ranked, or shouldn't be on this list, envision the above synopsis of 90 years musical evolution and history.

I don't want to leave any spoilers and rankings because you should have your own experience with the list. And I'm sure that your taste, your surroundings, your upbringing and your listening habits, as well as your age, may produce a slightly different list. So now I'm looking forward to your comments. What would YOU have done differently?

Here's a short spoiler video depicting the Top Ten of the genre.

Kenny Chesney's "Noise" debuts in Rolling Stone

Kenny Chesney - Live                                 © Jill Turnell (courtesy EBMedia)

For once it's not pina coladas, sandy beaches and cladly dressed dancer babes in bikinis. It's neither a jocose
singer reminiscing about the quietude at a lovely hidden oasis where he shares a longneck with his honey on the back of a pickup truck while strummin' on his guitar.

In his new video "Noise," the lead-off single of his new album "Some Town Somewhere" which ships July 8th, Kenny Chesney actually inculpates all the white noise, the cacophony, the constant sound bytes, the tech overload around us.

Wrecking balls, downtown construction
Bottles breaking, jukebox buzzing
Cardboard sign says ‘The Lord Is Coming’
Tick tick tock
Rumors turn the mills back home
Parking lot kids with the speakers blown
We didn’t turn it on
but we can’t turn it off, off, off …”

While this topic is quite popular in pop and rock music, it's rather rare in country music to sing songs being critical of society or at least critical of part of society. "Atomic Power" by the Louvin Brothers, "Okie From Muskogee" by Merle Haggard come to mind. In order to convey this new message to an audience who would listen, Chesney's team didn't select the regular outlets like CMT, Vevo or a country music magazine, but choose RollingStone.com to premiere his chaotic video.

“They have been the cultural and societal touchstone since I was a kid,” Chesney explains in his press release, why he choose the music magazine as an outlet “and that gives them the gravitas to reflect what [director] Shaun [Silva] and I were trying to capture in the song. This is not political, so much as social... if you want to get people to take it all in, to step back and really reflect, let’s put the video at the heart of where people who sort those things are.”

The visual manifestation of the song is clear: distorted images changing in a fast cut, timely mentioning in passing, not only the current US election cycle, but also the daily overload of sound or video bytes that is thrown at us, basically a wall of noise imprisoning us. And even though everybody seems to communicate, there are no messages reaching the listener:

Twenty-four hour television,
get so loud that no one listens
Sex and money and politicians talk, talk, talk
But there really ain't no conversation
Ain't nothing left to the imagination
Trapped in our phones and we can't make it stop, stop, stop

Watch Kenny Chesney's Chaotic 'Noise' Video

As Rolling Stone knows: "Kenny Chesney already had the first single from his upcoming "Some Town Somewhere" album picked out when a bunch of talking - make that, yelling - heads on television threw a curveball..."

He was on the phone with Nashville tunesmith Shane McAnally on a way to a marketing meeting with his manager, when the idea of "Noise" came up. Two days later he went into the studio and recorded the song, which besides McAnally was written by Ross Copperman and Jon Nite.

But Chesney doesn't see himself as a messenger, as he told RollingStone.com "We're not preaching to anyone, we’re just making a statement about the way we live. The message is to try to be mindful of it. If you love someone, tell them you love them. Don’t text it to them! There is so much life to be lived outside our phones.”

Summary: A great move for the fluffy 8-time entertainer of the year, away from "Bro" country to an actual meaningful song. The other songs on "Some Town Somewhere" will have to prove the new thoughtfulness of Kenny Chesney. An ethereal follow up will render "Noise" as meaning less.

Sources: RollingStone.com, Essential Broadcast Media,

Eric Church risks a big lip!

No it wasn't POTUS, who graces the new cover of Rolling Stone, who risked a big lip that got him into trouble. It was country star, Eric Church, who not only blasted fellow performers but also the senior fans loving more traditional country music.
Church who turns 35 tomorrow (5/3/12) lashes out in quite frank and profane tones. He's quoted as to tell his guitarist, Driver Williams to play Pantera instrumentals before their own set to clear out older fans.

"It didn't interest me to play for people who were 80 years old," he says flatly. "They'll be dead soon anyway. By the time you come back on tour and play again, they'll be gone."

In the piece he also has a tirade against all the reality music shows that clutter the TV:

"It's become American idol gone mad. Honestly, if Blake Shelton and Cee Lo Green fucking turn around in a red chair, you get a deal? That's crazy. I don't know what would make an artist do that. You're not an artist."

and yes, he does not wish to be part of one of these shows"

"If I was concerned about my legacy, there's no fucking way I would ever sit there [and be a reality-show judge]. Once your career becomes something other than music, then that's what it is. I'll never make that mistake. I don't care if I fucking starve." 


That did not sit very well with the Shelton/Lambert couple. Miranda tweeted on her account, that his quotes don't make her, Kelly Clarkson, Carrie Underwood and Keith Urban a star and then she sarcastically thanks Eric for being part of her 2010 tour.
(All of the mentioned acts have at one time in their career either participated or won a music reality show). Lambert being the most successful "Nashville Star" participant, although she only finished third, Carrie Underwood taking the crown at "American Idol" and Keith participating in a Toyota contest and being a guest judge.
Miranda's hubby Blake, simply stated "I wish I misunderstood this." and later tweeted "Why?"

Well according to his publicist, Eric Church apologized to Miranda, Kelly, Carrie and Blake but did not take his statements back. Church is also pretty outspoken in the upcoming issue of "American Songwriter" where he states that the people at the record labels are out of touch with reality.

"Everyone tells you these people are industry experts, but you figure out that the real experts are out there in front of you every night."

And he re-iterates, something which has been said about the Nashville scene for decades, that the industry seldom has new ideas and just tries to copy what's ever successful at the moment.

"That's something Nashville always tries to do, though. If something is successful, the try to repeat it by telling other people, "He do what that guy did." I Just don't think it works that way. The first one who there, the one that cuts that path... it's always the roughest path, but I think it's got the most reward at the end."

P.S.
A new music reality show is planned for E! Television, the competitors are to be found on the internet and one of the judges is supposed to be Brad Paisley.

IMHO
Eric Church has a point, all these reality TV shows have nothing to do with the real life and struggle of "most of the" musicians, who write songs, record on a small(er) budget, tour in vans and try to make a living with their own original music, instead of being set-up with an immediate deal, a sound, an image, a tour bus, a fashion nanny and a choreographer who makes sure all the dance steps are in the right place. Whatever the name of the reality show, it doesn't matter, "American Idol," "The Voice," "America Got Talent" or the now defunct "Nashville Star" cater to the lowest denominator in the music biz. And yes some artists may actually come up and establish themselves as true artists, but these are the exceptions to the rule.
But in the close-knit industry that country music still is, rants like this do not make you any friends in the business. Charlie Rich was one of the first ones who had to learn this the hard way. After burning the winning envelope for John Denver, who won "CMA Entertainer of the Year," Rich's singles produced just one Top Ten hit the next year (1976).
And yes country music always had it's outlaws, Cash, Jennings, Nelson etc., but they were to a certain degree defying the system or even turning away and at this point in country music history, that was still possible. Unfortunately it is not anymore, when a few companies decide what's on the air and what's not. Eric Church may have to learn the business aspects of Red Dirt or Texas Country Music and say goodbye to the assembly line, that Nashville these days more than ever is.