Traditional newcomer Jon Pardi is featured in a Superbowl beer commercial. Marty Stuart announced, that he plans to open the Marty Stuart's Congress of Country Music Museum and Performance Hall in Philadelphia, Mississippi. And a recap, with a video link to the full memorial for the late Mel Tillis at the Grand Ole Opry in Nashville.
Jon Pardi redoes "I Like Beer" for Superbowl commercial
"Dirt On My Boots" crooner, Jon Pardi, the reigning CMA "New Artist Of The Year" and ACM "New Male Vocalist" was asked by Michelob ULTRA to re-record the 1975 Tom T. Hall ode "I Like Beer" for a new commercial that will show during this year's Superbowl.
The original, the first single from Hall's "I WROTE A SONG ABOUT IT" charted on the Country Singles Chart at #4, got a more uptempo treatment during Pardi's recording.
Even though Pardi is only delivering the soundtrack to the new anthem for Michelob ULTRA's commercial starring actor Chris Pratt, US Open Gold Champion Brooks Koepka, 11-time World Surf League Champion Kelly Slater and 2017 NYC Marathon winner Shalane Flanagan it is trying to demonstrate that "You Can Do Both" - being fit and still enjoy a cold one.
“This past year has been filled with so many milestones and bucket list items, and when Michelob Ultra reached out with an opportunity to be part of this Super Bowl commercial, I was all in. It was such a fun experience to record this version of the song and it’s awesome to be a part of it,” Pardi was quoted in the press release.
Pardi’s current single “She Ain’t In It” is currently Top 30-and-climbing on the Billboard Country Airplay charts. I hope that "I Like Beer" will be soon available as a download.
According to the Associated Press (AP), Country traditionalist Marty Stuart is planning to open "Marty Stuart's Congress of Country Music Museum and Performance Hall" in his hometown, of Philadelphia, Mississippi.
Stuart, who began playing as a 13-year old with Lester Flatt and later was part of Johnny Cash's band, is an avid collector of country music artifacts and has by now amassed more than 20'000 pieces, from clothing by Johnny Cash and Patsy Cline to handwritten lyrics from original superstar Hank Williams. He is also known as a photographer and has a vast collection not only of portraits of country stars of old but also of the American West.
Philadelphia, a small town about 80 miles northeast of Mississippi capitol Jackson sure will get an economic boost from tourism when the Congress of Country Music is supposed to open in three years.
"My collection for all these years has been a very good-neighbor collection. We've loaned things to museums for years and years," Stuart is quoted in the AP article.
The government of Mississippi has already allocated $2 million to the project, Stuart is trying to raise the rest of the money from private donors.
Stuart is currently touring behind last year's album "WAY OUT WEST," which made my "10 for 2017" as one of the 30 best Albums released in 2017. His next dates will be in Texas: New Braunfels, Austin, Houston, and Dallas. For more info and tour dates, visit his website, Marty Stuart
Mel Tillis Memorial
Last week's memorial for the late singer, Mel Tillis was broadcasted live on legendary AM 650 WSM, as I told my readers in my blog.
If you didn't have a chance to tune into the almost 2-hour long memorial with various artists taking part, local Nashville NewsChannel 5 recorded the whole celebration of life for Mel Tillis on video and uploaded it to their facebook page.
Besides some stellar performances, it was the remembrances, the little stories that make this memorial worth watching again. I hope the station will leave that link up for people to revisit.
"You could feel the emotion in the room. We felt dad's presence. We think he was proud," Pam Tillis told the TV station.
Mel Tillis, a member of the Country Music Hall of Fame was honored by Kyle Young, the CEO of the Country Music Hall of Fame and Museum, with the following statement:
"Mel Tillis spent a lifetime giving us joy and laughter and music, which is why his death brings such sadness. Had he never stepped on a stage, he would still have been one of the funniest and most genuine people on the planet. But his whimsy and warmth were only a part of his appeal. He wrote some of country music's most compelling and consequential songs, he fronted a remarkable band, and he sang with power and emotion. He also shone as an inspiration, revealing what others called an impediment as a vehicle for humor and hope."
The memorial service for Country Music Hall of Famer, Mel Tillis will be broadcast live from the original Grand Ole Opry (Ryman Auditorium) by legendary Nashville station 650 AM WSM tomorrow morning, January, 31st at 10 am local time (CST). If you are not in the local area to catch the radio station you can listen to it on the web WSMonline.com, or on your phone on the station's mobile app.
Tillis’ family, friends, fans, and music industry colleagues will gather at the Ryman to honor the life and career of the Country Music Hall of Famer.
A slew of country stars will perform some of Tillis’ most memorable career songs. Those scheduled to take the stage include Ricky Skaggs, Ray Stevens, Larry Gatlin & the Gatlin Brothers, Alison Krauss with the Street Corner Symphony, Jamey Johnson, Collin Raye, Daryle Singletary, Lorrie Morgan, Ira Dean, Pam Tillis, Sonny Tillis, and Carrie April Tillis.
Tillis’ band, The Statesiders, will accompany select performances and former “Nashville Now” host Ralph Emery will emcee.
The event is free and open to the public.
After a long struggle to regain his health, country music legend Mel Tillis passed away on November 19, 2017, at the Munroe Regional Medical Center in Ocala, Florida. Tillis battled intestinal issues since early 2016 and never fully recovered. He was 85.
Tillis wasn't only a singer, he was an "Entertainer of the Year" (CMA 1976) and a great songwriter as well: songs like "Detroit City" (Bobby Bare), "Life Turned Her That Way" (Ricky Van Shelton), "Ruby Don't Take Your Love To Town" (Kenny Rogers), and "Honey (Open That Door)" (Ricky Skaggs) are just a few of his gems out of a huge catalog.
On February 13, 2012, President Barack Obama awarded Tillis the National Medal of Arts for his contributions to country music
For the 25th Anniversary of the movie "PURE COUNTRY," the soundtrack will be released for the first time on vinyl on September 15. George Strait will also incorporate some of the songs featured in the movie in his two Las Vegas shows earlier that month.
How time flies, in 1992 my former editor, Christine Mäder and I went to Dallas to attend a press junket for the movie release "Pure Country." She was interviewing the main actors for our publication, Country Music, while I was covering it for Swiss Television. Isabel Glasser (Harley Tucker) was charming, Lesley Ann Warren (Lula Rogers) was a blast, we had so many laughs and George Strait (Wyatt "Dusty" Chandler) was George Strait, slightly uncomfortable with the media thing and actually kinda reliving his movie role in the movie. Too bad, our favorite actor in the movie, Rory Calhoun playing Harley's wry grandfather Ernest, didn't make the junket.
Even though the movie was a commercial flop with just $ 15 million dollars coming in and never saw a world wide release; my TV tapes are still collecting dust somewhere in an archive in Switzerland, the soundtrack did much, much better.
Besides Greatest Hits and other Compilations, "Pure Country" is Strait's most successful album to date, with sales over 6 million units. The latest figures by the RIAA are from 1999, so I'm sure that with digital downloads we are now closer to 7 million. Talking about downloads the tearjerker hit single from the climax of the movie reached number 1 in December of '92. "Cross My Heart" (Steve Dorff, Eric Kaz) has sold almost a million copies per digital downloads since it was made available on that platform, according to Roughstock. Another composition by Dorff, who also was in charge for the whole musical soundtrack, "Heartland," co-written with John Bettis also reached the Top Spot on the Billboard Country Charts. Even though not as hokey as the movie or its main single, "Heartland" did not belong to the best material on the soundtrack, which by the way was the first album by Strait that had Tony Brown as a producer.
The real or should we say pure country song, released as the third single "When Did You Stop Lovin' Me?" by Texan Monty Holmes, who later contributed other hits to Strait, including "Troubadour," reached the top ten, but stalled on #6. But there are other gems on this soundtrack, there is a subtle countrified version of "Last In Love" originally recorded by Nicolette Larson and by co-writer J.D. Souther (together with Glenn Frey) on albums in the late 70s. The western-swing influenced "Overnight Male," first recorded by B.B. Watson, penned by Kim Williams, Ron Harbin, and Richard Fagan, who passed a year ago, made it in the charts, without ever being released as a single. I always thought the Phil Thomas/Hal Newman song "Baby Your Baby" should have been a radio single, advising the guys to better put some lovin' into their relationship. Because if you do it right, "She Lays It All On The Line," that rockabilly tinged tune came from Texas songsmith Clay Blaker and also gave him the title of his 1993 album "LAYING IT ALL ON THE LINE."
"PURE COUNTRY" also features two singles written or co-written by Jim Lauderdale, the beautiful "The King Of Broken Hearts" and the up-tempo "Where The Sidewalk Ends," which both were originally released on Lauderdale's 1991 major debut, the fantastic "PLANET OF LOVE." That first one belongs into the pantheon of country classics, also recorded by Mark Chesnutt and Lee Ann Womack, due to the times, never got the exposure, it really deserves.
My favorite track is probably the remake of an old tune, also recorded by Ernest Tubb and Carl Smith, written by Mel Tillis and Wayne P. Walker, the deliciously sad ballad "Thoughts of a Fool" with its exquisite leading steel guitar part. Not sure which of the three players mentioned in the liner notes actually brings me all that joy. But I guess it's Sonny Garrish over Buddy Emmons (who did it on Tubb's version, which you should check out as well) or Doug Livingston. It's just pure bliss of sadness.
"PURE COUNTRY" Soundtrack - ★★★★/★★★★★ (4 out of 5)
So if you still like vinyl, like some traditional country fans do, this is definitely an album you want to put into your collection. As an extra for the 25th Anniversary, Austin movie theater chain Alamo Drafthouse Cinema will be showing the original movie in its 28 locations across the country.
I met Holly Dunn in the early 90s, after a concert, where she was opening for Charlie Rich at the legendary Austin Opry House. Standing around, outside the tour bus and being joined by a young Paula Nelson (Willie's daughter) the three of us shot the breeze and exchanged stories.
Even though I knew since March that she was diagnosed with a rare, very malicious form of ovarian cancer, her passing took me rather by surprise. Holly was only 59 years old and spent the last decade or so, in New Mexico, where she painted as an artist and where she passed away on Monday (11/14).
During our conversation over 20 years ago, she told me how she wrote her signature song, which started her career, "Daddy's Hands" for her father, a minister, as a father's day gift. Even though the song "only" reached #7 in the Country Charts in November of 1986, she was nominated for two Grammys (Best Country Song & Best Country Vocal Performance, Female) because of it. An earlier version was recorded by family trio The Whites in 85. In April of '87 she was crowned "Top New Female Vocalist 1986" by the Academy of Country Music and in October of the same year won the Horizon Award by the Country Music Association.
Daddy's hands were soft and kind when I was cryin' Daddy's hands were hard as steel when I'd done wrong Daddy's hands weren't always gentle but I've come to understand There was always love in daddy's hands
Holly Suzette Dunn, born in San Antonio, on August 22nd, 1957 also told me, that their house was always open, with different musicians often coming by for a visit - Sonny James, Roy Orbison, Porter Wagoner - I recall her even telling Paula, that a young Willie used to show up too. But besides all the country music influences, she mentioned James Taylor, Carole King, The Beatles, and Barbara Streisand as influential to her music, and yes music was encouraged. Dunn already had a band during her high school years, called Freedom Folk. According to the "All Music Guide to Country," Freedom Folk was selected to represent Texas at the bicentennial celebration in 1976 at the White House. During her years at Abilene Christian University, she was also part of the USO-touring choir, the Hilltop Singers.
Move to Nashville & MTM years
Still in college, "Out of Sight, Not Out of Mind," a song she had written with her brother, Chris Waters was recorded by Cristy Lane on her "Love Lies" album. After graduating Holly decided to move to Nashville. Besides odd side jobs, she started singing demos and later writing songs for the same publisher, CBS Songs, as Chris. One of her songs, she co-wrote with her brother and Tom Shapiro, "I'm Not Through Loving You Yet" became a Top Ten Hit for Louise Mandrell, others were recorded by Marie Osmond, Sylvia, and lesser-known artists, some from Sweden and Canada. Often singing the demos, the trio wrote, Holly was still hoping for a singing career on her own.
In 1984 she got signed by Tommy West to MTM Records and released her debut "HOLLY DUNN" a year later - her first single (not available on any album) "Playing For Keeps" (Dunn, Waters, Shapiro) with a pop new-wave arrangement, stalled at #62 of the country charts, two other singles "My Heart Holds On" (#64 Hugh Prestwood) and "Two Too Many" (#39 Dunn) didn't leave much of an impact and then "Daddy's Hands" was released and gave her a first Top Ten Hit. In January of '87 a duet with Michael Martin Murphey, "A Face In The Crowd" (Karen Staley, Gary Harrison) from his "AMERICANA" album was released and not only gave her another Top Five hit (#4) but also another Grammy nomination in the duet category, which they both lost to Ronnie Milsap and Kenny Rogers.
Her second album "CORNERSTONE" gave her the Top Ten Singles "Love Someone Like Me" (Radney Foster, Dunn #2), "Only When I Love" (Waters, Shapiro, Dunn #4) and "Strangers Again" (Waters, Dunn #7). Her third and last album for MTM, the self-produced (with Waters & Warren Peterson) "ACROSS THE RIO GRANDE" had the hits "That's What Your Love Does To Me" (Chick Rains, Bill Caswell #5) and "(It's Always Gonna Be) Someday" (Waters, Shapiro, Dunn #11). After that parent company, MTM Enterprises was sold to a British TV conglomerate with the record label part being spun off, acquired, and embedded into RCA.
In 1989 Holly Dunn was added as a regular cast member of the Grand Ole Opry during the Opry's 64th birthday celebration.
Warner Brothers years
Being picked up by Warner Bros, with her old catalog going there too, Holly was able to finally celebrate her two #1 singles “Are You Ever Gonna Love Me” (8/26/89 - Dunn, Shapiro, Waters) and “You Really Had Me Going” (11/17/90 - Dunn, Shapiro, Waters) from "THE BLUE ROSE OF TEXAS" and "HEART FULL OF LOVE" respectively. "BLUE ROSE" also had the Joe Diffie (w/Lonnie Wilson, Wayne Perry) penned "There Goes My Heart Again" which hit the Top Five (#4) and on which Diffie sang background vocals. Dolly Parton did the same on her cover of "Must Of All, Why." The self-penned "Anniversary For Being A Fool" stalled at #63. while the title track of "HEART", a Kostas composition, reached the Top Twenty (#19), It was Holly's last Top Twenty hit.
A duet she recorded with Kenny Rogers "Maybe" (Bill Rice, M. Sharon Rice) from his album "SOMETHING INSIDE SO STRONG" reached #25 in 1990.
With her career stalling, Warner Bros. decided to release "MILESTONES," a Greatest Hits compilation, combining her hits for MTM, with her chart singles for Warner Brothers. Talking about bad timing, the self-written single out of the collection, "Maybe I Mean Yes" came out right at the wrong time, when the subject of date rape and the outcry "No Means No" were gaining traction due to some prominent lawsuits. With its refrain stating "When I say no, I mean maybe, or maybe I mean yes" it caused controversy. The label and Holly had to pull the single of the radio market after it reached #48. Another single from the album, written by brother Chris "No One Takes The Train Anymore" failed to chart.
The last album for Warner Brothers, "GETTING IT DUNN" was released in June of 1992. Instead of co-producing, brother Chris Waters was replaced by guitarist/producer Paul Worley (later of Martina McBride, Dixie Chicks & Lady Antebellum fame). But none of the three singles "No Love Have I" (Mel Tillis #67), "As Long As You Belong To Me" (Dunn, Waters, Shapiro #68), and "Golden Years" (Sam Hogin, Gretchen Peters #51) cracked the Top 40 anymore, and Holly Dunn was let go.
In 1995 Dunn signed with River North Records and released "LIFE AND LOVE AND ALL THE STAGES" which yielded her last single cracking the charts "I Am Who I Am" (Dunn, Waters, Shapiro #56). "LEAVE ON BRIDGE STANDING" followed two years later and by that time Dunn had joined WWWW (W4 Country) in Detroit as morning disk-jockey co-host. 2001/02 she worked for The Nashville Network (TNN) sitting in for Bill Anderson on "Opry Backstage." In 2003 Dunn released a gospel album "FULL CIRCLE" for OMS and her own company Holly Dunn Enterprises. She also announced her retirement from the music business
“I left the business because it was clear that radio had moved on and wasn’t interested in anything new from me. Without radio’s support, it just gets harder and harder to keep the wheels turning in a music career. Hit records are the engine that drives the train,”
Dunn explained to Christian magazine "Hallels" in June. Her move to Central Texas and later to Albuquerque also got her expunged from the cast of the Grand Ole Opry, a move criticized by many fans. In an interview with "the 9513" blog, Holly Dunn was quoted: "I knew they’d been adding people since I left. But it hurt. Because I loved the Opry. And I still love the Opry."
Living in New Mexico, she started to paint, inspired by her surroundings either the Southwest or her home state, Texas (as this ruby chested hummingbird visiting the state flower, the bluebonnet.) They were offered through the Pena-Dunn Gallery in Santa Fe.
According to the New York Times, she is survived by her wife, Melissa Taylor, and her three brothers, Chris, Jerry, and Rodney. Funeral services were held on Saturday (11/19) and Holly is to be buried at the Salado Cemetery in Central Texas.
Sources: Image (Publicity Shot), Painting - her Facebook Art Page, HollyDunn.com (unfortunately her facebook page and her website were immediately eliminated after her death), Hallels, Billboard, BMI, 9513, The New York Times, lpdiscography.com, opry.com,
